Skip to main content

Revising Utharam: The Weight of Forgotten Truths


I think more than ghost stories, most people are afraid of the unknown. The  unknown when transforms into a more fearful truth can devastate a person’s entire existence. V.K Pavithran’s  1989 movie Utharam is based on Daphne Du Maurier’s short story “No Motive”. It follows Balu’s quest to uncover the truth behind the mysterious and unexpected suicide of Leena, his best friend Mathew’s wife and someone he considers family. 

Balu’s investigative skills as a journalist lead him to some strange and unexpected revelations about Leena’s past. He discovers that Leena had a completely different personality and a  shocking, forgotten history. Despite being a generous person and loving wife of Mathew, Leena lived a seemingly perfect life, content and unaware of her repressed memories. Her life as a poet and a loving partner to Mathew appeared nothing short of perfection. Yet one fine day she decided to take her life in the spur of the moment. 

Unlike most mystery movies that focus on ‘who’ committed the crime, Utharam delves deeply into the question of ‘why’. The forgotten truth about Leena that unexpectedly re-emerges triggers a chain of memories that she is unable to face. Balu and Shyamala encounter people who knew Leena at various stages of her life, unveiling a poignant tale involving social stigmas related to rape, teenage pregnancy, and sex, which adds to the movie’s current relevance. The callous society that judged Leena, regardless of her innocence, played a significant role in her fate. This  fear of judgment, even years later, might have contributed to her tragic end.

Deep down, Leena’s yearning for her child and her guilt profoundly affected her. She expressed her helplessness and the feeling of being robbed of her essence through her poems. The answer to ‘Who is Leena’ is the core truth that the audience grasp by the end of the movie. The forgotten past that inadvertently caught up with her overcame the safety net that she had formed by not knowing the details over the years and ultimately wrecked her life.

 Utharam is not just the story of Leena but also reflects the experiences of Shyamala and many other women whose normal lives are disrupted by exploiters.

Comments

Popular posts from this blog

I Let Myself Sink Into You

  I let myself sink into you,  Taking deep dips,  Not letting myself float.  You kept the rhythm of ocean Calm and said the waves To come another day.  I got lost in the tranquility of your arms,  Seeking an abode for eternity,  Reaching out in bliss.  Maybe If I could live here forever,  I would dance at a different pace,  guided by the warmth of your heart. I see no lines seperating us,  Shutting down the little fragments of overthinking,  I place you close to my bosom,  Never to let you go.  Making all the falsities disappear,  I'm riveted by the hold of your hands,  the sheer joy on your face  At the movement of my eyelashes,  Making me fall all over again.  You asked me if you could join in my agony,  If you could make me think of  Things of joy, Checking my pulse and it's  dramas,  You dived deep into me,  Untangling the mysterious cords,  that encircled me....

Madeline’s Mirror

  Madeline’s mirror told her she’s fat, It appalled at her shapeless dress, Covering a chunk of flesh. She looked at her broad shoulders  And big breasts,  which reminded her of a pile of  clothes that no longer fits her. But Madeline smiled and applied her eyeliner effortlessly. Her mirror sneered at her  chafing thighs kissing each  other when she moves. Madeline’s mirror found her  plush lips contradicting  the pair of flesh  on either side of it. It spotted the two chins fighting for space like contestants in the combat zone. Madeline admired her freckleless skin, and applied her favourite lipstick. The mirror reflected  her flabby arms  complementing her  saggy belly. Madeline moved closer  to her mirror,  which still in oblivion,  started to produce sympathetic smiles at her legs. It mirrored how her legs carry all the weight, hiding under her flowy dress. Appreciating her silky hair and perfectly manicured...

Child is the Father of the Man

Childhood is a phase where we feel everything deeply. Every traumatic, as well as happy incidents, get imprinted in us during this stage that the memories of those determine our further life. Rajesh Pillai's Mili is such a character who was deeply affected by her mother's illness & her death. Mili is a representative of many children whose childhood gets lost in the struggle to cope with the indigestive-syllabuses & who are forced to believe that a failure in it would determine what they are. The slow and beautiful transformation of Mili from an introverted, depressed girl to an independent inspiring person is touching. With the help of a handful number of right people who are ready to go extra miles for her, Mili steps out of her comfort zone by breaking her shell of insecurities which is as old as her. Mili makes sure that the children that she teaches are not judged by their inabilities or marks like she was but their small skills that no one actually notices. She al...