Skip to main content

Revising Utharam: The Weight of Forgotten Truths


I think more than ghost stories, most people are afraid of the unknown. The  unknown when transforms into a more fearful truth can devastate a person’s entire existence. V.K Pavithran’s  1989 movie Utharam is based on Daphne Du Maurier’s short story “No Motive”. It follows Balu’s quest to uncover the truth behind the mysterious and unexpected suicide of Leena, his best friend Mathew’s wife and someone he considers family. 

Balu’s investigative skills as a journalist lead him to some strange and unexpected revelations about Leena’s past. He discovers that Leena had a completely different personality and a  shocking, forgotten history. Despite being a generous person and loving wife of Mathew, Leena lived a seemingly perfect life, content and unaware of her repressed memories. Her life as a poet and a loving partner to Mathew appeared nothing short of perfection. Yet one fine day she decided to take her life in the spur of the moment. 

Unlike most mystery movies that focus on ‘who’ committed the crime, Utharam delves deeply into the question of ‘why’. The forgotten truth about Leena that unexpectedly re-emerges triggers a chain of memories that she is unable to face. Balu and Shyamala encounter people who knew Leena at various stages of her life, unveiling a poignant tale involving social stigmas related to rape, teenage pregnancy, and sex, which adds to the movie’s current relevance. The callous society that judged Leena, regardless of her innocence, played a significant role in her fate. This  fear of judgment, even years later, might have contributed to her tragic end.

Deep down, Leena’s yearning for her child and her guilt profoundly affected her. She expressed her helplessness and the feeling of being robbed of her essence through her poems. The answer to ‘Who is Leena’ is the core truth that the audience grasp by the end of the movie. The forgotten past that inadvertently caught up with her overcame the safety net that she had formed by not knowing the details over the years and ultimately wrecked her life.

 Utharam is not just the story of Leena but also reflects the experiences of Shyamala and many other women whose normal lives are disrupted by exploiters.

Comments

Popular posts from this blog

Laapataa Ladies aka Ladies Lost in Patriarchy

Kiran Rao’s “Laapataa Ladies” is a social satire that offers entertainment as well as empowerment. The movie humorously portrays the grave realities of a patriarchal society with the help of a simple story and background. As the name and the trailer suggested, it revolves around two newly married brides who get lost on the way to their in-laws’ home. While Jaya, whom Deepak accidentally brings home instead of his wife Phool, seizes this opportunity to follow her dream, Phool undergoes profound personal growth during the time. This period shows multiple women discovering themselves. Some learn to do things that they love for themselves while others learn to explore and embrace their talents.  Even though Jaya and Phool are two contradictory characters, they are both equally victims of patriarchal conditioning. While Jaya is ready to break and act against all the norms of society from the very beginning by uttering the name of her husband to everyone’s disbelief, Phool learns to do t...

No Worries!

I really wonder why people around me worries a lot. They stress on some matters as if it some great disaster is about to come.. We have this sole life and spending this whole life vexed on trivial things means wasting our valuable moments.Instead of that why can't people cherish their memories ? At least it can create a smile on their faces. Spread smiles and relax your cheek muscles. Travel lonely and accompany no one. Purchase and feel everything. Make this your motto and live a better life. You can die a better man. A.C

Murmurings of Married Women

  I hear murmurings from the graveyard In the West of the town,  Of married women,  Dead and disappeared years ago.  I wonder what a time they had,  What a life they lived.  Their husbands weep and weep and forget them,  They praise how they looked after their women,  Covering in glittery gold,  Buying them silly silks,  Giving makeup for a make-over.  But still, the women murmur,  Their voices seem to break the edges of tombs.  They force the sun to dry out the flowers on them quickly.  I lowered my face and listened to the tombs,  It seems their lipstick was revolting,  Their eyelashes lifted to show the desperation.  They talk about the lies they had to live through,  In fear of strangers' pointing fingers on getting a hint on their unhappy marriages.  They call out their abusive partners,  Told me to look for the broken bangles behind the kitchen for proof,  The blood-stained clo...