Skip to main content

The Lost Daughter - An Ode to Motherhood and Flawed Mothers

 Mothers are always praised and glorified for the sacrifices that they make and are called supermoms, if they find a balance with their family and work life. Movies have always portrayed mothers as either sacrificial or supermoms. But do all the mothers choose the same road? 


Maggie Gyllenhaal's 'The Lost Daughter' speaks for all the flawed unnatural mothers. People who become mothers at an early age, who feel traumatized by the whole new version of themselves, who live in fear of losing their original identity in the run for creating one for their children, who make choices selfishly regardless of their children's needs. Leda in the movie, in fear of losing her individuality in the love for her children, takes a decision to focus on her career. She finds it as an amazing experience and embraces everything that she desired, peeling off the perfect mother image that she is supposed to keep. 


When women are considered to have innate motherness in them, people don't realise that not all the women can be "perfect mothers". Flawed mothers and their maternal guilt, and their struggle between the desire to live on one's own terms and to live for someone else, needs a representation. 

Leda is conflicted about being liberated from the responsibilities of parenthood and wracked by guilt for the price she paid for that freedom. The suffocating claustrophobic motherhood that young Leda experiences with an unsupportive husband contributes to her momentous decision to choose herself.   She upends the centuries of self- sacrificing image of mother and chooses herself because mothers are individuals with flaws, and everyone cannot be supermoms.


Leda and Nina in the movie demands to look deep into the problematic depiction of mothers and motherhood in our social structure. Leda and Nina haven’t simply resigned to the fact that they’re emotionally detached, they’re caught in a catastrophic cycle of wanting to abide by, but also wanting to break free. In Leda, Nina can see her future, and it terrifies her. And in Nina, Leda can see her past. Unlike the orange peel, this chain will likely remain unbroken. 

Comments

Popular posts from this blog

Tu Koi Aur Hai

The characters of Imtiaz Ali are always difficult to decipher and can only be done if the actors do complete justice to it. And two such celebrated characters of Imtiaz Ali are Ved and Tara of Tamasha . Meeting Ved in Corsica was accidental to Tara. Both of them came there to be alone and enjoy some time away from their busy life. But what destiny had for them was different. But for Tara, what happened in Corsica didn't just stay at Corsica. What attracted Tara towards Ved was his coolness and the quirkiness which ultimately made her fall in love with him and break up with her boyfriend. She continued to pamper the memories at Corsica even without knowing Ved or his name. But meeting Ved which she longed for four years and being his girlfriend was not what Tara wanted. Tara fell in love with the Ved whom she met at Corsica not the Ved at Delhi. But it was all difficult for the Ved who is actually battling bipolar disorder to accept his reality. Ved wanted to live the life that he d...

The Grendels

Horror is lurking behind every moment of darkness, Seeming to be human, we cannot distinguish you from Grendel. We see no Beowulfs coming to rip off your arms that aid you well. When every closed door warns us, Every stare seems to map our bodies, Every vehicle appears to follow us, Every touch seems to warn us, You, cultured and well behaved, You are the light of the day, You are the Lord of the people, Who metamorphose into damned dangers  At the end of the day. Your venomous fangs go in search of  Prey, You wait in the darkness with twinkling eyes, Admiring the power of your hands, That can open up hearts, And show the uncultured your worth.  After every hunting, the sycophants who surround you, Kiss your hands and touch your feet. They wash your dirt and make your bed. They cure your sickness by gifting you scepters. Making you invisible, they uproot every Beowulfs to ensure your reign. Thus you flourish, never to die but to hunt and haunt. And behind your house, we s...

A Trap in Coloured Form.

I see coloured faces, happy faces. The faces that told the happiness of completing the school, the studies, the tiresome exams, the weekend exams, homeworks, of escaping the angry eyes of teachers. The happiness of knowing the truth that they have grown up, that they are matured enough to handle things, that they are stepping into another beautiful phase of life. This unbridled enthusiasm is a trap. The great maturing trap! Because after three or five years you will know that it was this phase, that was beautiful, less burdensome, lighter. The coloured faces and scribbled uniforms have many stories to say that the letters pop out or peep through the threads of uniform after many years. The nostalgic element is very high in this case. But the only profit that you get is the acknowledgement of what you wanted to become, that revelation you get from the tree of enlightenment made of life experiences and people. You have come all the way leaving your colourful life, to get this revelat...