Skip to main content

Kaathal - The Core Breaker of 2023

 


Kaathal - The Core is one of the movies of 2023 that left an ache in my heart. It's the kind of movie where you just sit and stare at the wall for hours after you finish it. I keep thinking about the pain of Mathew, Omana, Thankan and Chachan and it is something that continues to haunt me.

Mathew’s pain is something that has become part of him by living the prime of his life pretending to be an integral part of a heteronormative society. His calm and meek personality is like a dormant volcano that is likely to erupt anytime. When he confronts his pain with Chachan and Omana, we see him peeling off his outer layer of crust and showing us his core. The core, that has carried deep wounds of fear and shame of coming out and confronting his fears, all this while. 

I don’t think I have seen a more compassionate and kind woman as Omana in recent movies. Despite being in a marriage that doesn’t fulfill her needs, she stays in it for years for the sake of Mathew. And when the right time comes,she prepares to end it paving a way to end Mathew’s pain too. Omana empathises with Mathew and later they become each other’s safe space to relieve the agony. Their marriage might be similar to that of many others in our society that sacrifice the lives of people in vain.

Chachan’s silence in the movie is louder than words. He realises his mistake and carries the guilt of his decisions and misjudgements in silence. Thankan also hides his agony and sees people around him enduring the same. He wants to alleviate their pain but is helpless and afraid. The suffering of all these characters that pierce their core left me wondering desperately how different things would have been for them if this was a better society. When the movie ends the story showing an ideal society, we realise how far we are from achieving it and how many lives are left to be sacrificed. Mathew and Omana’s story is a mirror that is held towards us to reflect on the people who suffer silently carrying a heavy heart without knowing when to get it out off them.



Comments

Popular posts from this blog

Revising Utharam: The Weight of Forgotten Truths

I think more than ghost stories, most people are afraid of the unknown. The  unknown when transforms into a more fearful truth can devastate a person’s entire existence. V.K Pavithran’s  1989 movie Utharam is based on Daphne Du Maurier’s short story “No Motive”. It follows Balu’s quest to uncover the truth behind the mysterious and unexpected suicide of Leena, his best friend Mathew’s wife and someone he considers family.  Balu’s investigative skills as a journalist lead him to some strange and unexpected revelations about Leena’s past. He discovers that Leena had a completely different personality and a  shocking, forgotten history. Despite being a generous person and loving wife of Mathew, Leena lived a seemingly perfect life, content and unaware of her repressed memories. Her life as a poet and a loving partner to Mathew appeared nothing short of perfection. Yet one fine day she decided to take her life in the spur of the moment.  Unlike most mystery movies ...

Laapataa Ladies aka Ladies Lost in Patriarchy

Kiran Rao’s “Laapataa Ladies” is a social satire that offers entertainment as well as empowerment. The movie humorously portrays the grave realities of a patriarchal society with the help of a simple story and background. As the name and the trailer suggested, it revolves around two newly married brides who get lost on the way to their in-laws’ home. While Jaya, whom Deepak accidentally brings home instead of his wife Phool, seizes this opportunity to follow her dream, Phool undergoes profound personal growth during the time. This period shows multiple women discovering themselves. Some learn to do things that they love for themselves while others learn to explore and embrace their talents.  Even though Jaya and Phool are two contradictory characters, they are both equally victims of patriarchal conditioning. While Jaya is ready to break and act against all the norms of society from the very beginning by uttering the name of her husband to everyone’s disbelief, Phool learns to do t...

The Women of Rifle Club

Over the decades, Malayalam cinema has often used female characters to uphold male protagonists, reinforcing the power dynamics in favor of men. This pattern, normalized and celebrated as long as the hero “wins” the situation, has shaped narratives for years. However, in recent times, audiences have begun to unlearn this ingrained bias, recognizing it as something that needs to be critiqued rather than celebrated.  Aashiq Abu’s Rifle Club breaks away from this mold, igniting the fiery tension of a wild war in the Western Ghats. What sets this film apart is its portrayal of women— each female character is uniquely strong and layered, claiming her identity with confidence. From being mocked for being “just a woman” to owning the scene, characterisations of women in Malayalam cinema are beginning to emerge as unstoppable forces. Society often perpetuates the stereotype that women, being emotional, are inherently weaker or less stable in grave situations. Instead, the movie shows that ...