Skip to main content

The Fall of the House of Usher - A Sense of Insufferable Gloom

 


Mike Flanagan is undoubtedly one of the best gothic television series makers of the contemporary industry. Flanagan’s The Haunting series, The Midnight Club and Midnight Mass are the much praised examples of his style and work. Adding to his finest collection is his adaptation of Edgar Alan Poe’s “The Fall of the House of Usher”.

Divided into 8 episodes the series is a brilliant and modern tribute to Poe’s most celebrated short story. While Poe’s story of Usher remains the heart of the series, it is unified to the body by attaching different organs based on other works of Poe including The Masque of the Red Death, Murder in the Rue Morgue, The Black Cat, The Pit and the Pendulum, The Raven, and many more. The nefarious Patriarch of the Usher family, Roderick Usher (Bruce Greenwood), whose legacy is maintained through his several wicked and selfish children , his equally ruthless twin sister Madeline (Mary McDonnell) who is loyal towards her brother and their opiate empire Fortunato and the investigator C. Auguste Dupin (Carl Lumbly), who serves as the recurring character in Poe’s stories , and the ever masquerading supernatural figure Verna (Carla Gugino) are the main characters of Flanagan’s series. 

As Roderick narrates his story and the bizarre and terrifying fate of his children and his part in it to Dupin, Flanagan plays with guilt, obsession and vengeance with his favourite actors. Without much jump scares, the series presents the eerie and bloody deaths in the dysfunctional Usher family as a result of their own moral corruption and obsession which eventually results in the fall of the dynasty. The viewers get to feel the constant presence of death hovering over each episode that has come to take what’s due from a family that profited off the pain of others.

Just like Poe, Flanagan uses gothic to explain the psychological thinking of the characters who lack morality and human values. Flanagan’s “The Fall of the House of Usher” is an excellent amalgamation of Poe’s works and its characteristics with a great ensemble and is indeed a treat to the fans of his other shows.


Comments

Popular posts from this blog

Twenty-Five

They say twenty-five matters,  25 is the age where you are asked to be responsible,  You are supposed to bring home food,  It's an age where your uterus has to be fukcing good,  It is an age where you have to be fair And good as a nymph,  It is when your wallet should have a five-figure sum.  They say at twenty-five,  You will be twenty-five times purer than ever,  To breed and nurture,  No dear not your dreams, but your children's.  But that's not it.  I SAY THAT IS NOT IT.  It is an age where you realize,  You no longer have the desire to live the monotonous life,  You no longer feel alive at a celebration,  You find yourself as the perfect company,  You don't care if you die today or tomorrow,  You want to puke at people who restrict you from doing things.  You no longer want to be surrounded by people,  And your skills are your only saviours.  At 25, you no longer care if people love ...

Revising Utharam: The Weight of Forgotten Truths

I think more than ghost stories, most people are afraid of the unknown. The  unknown when transforms into a more fearful truth can devastate a person’s entire existence. V.K Pavithran’s  1989 movie Utharam is based on Daphne Du Maurier’s short story “No Motive”. It follows Balu’s quest to uncover the truth behind the mysterious and unexpected suicide of Leena, his best friend Mathew’s wife and someone he considers family.  Balu’s investigative skills as a journalist lead him to some strange and unexpected revelations about Leena’s past. He discovers that Leena had a completely different personality and a  shocking, forgotten history. Despite being a generous person and loving wife of Mathew, Leena lived a seemingly perfect life, content and unaware of her repressed memories. Her life as a poet and a loving partner to Mathew appeared nothing short of perfection. Yet one fine day she decided to take her life in the spur of the moment.  Unlike most mystery movies ...

The Women of Rifle Club

Over the decades, Malayalam cinema has often used female characters to uphold male protagonists, reinforcing the power dynamics in favor of men. This pattern, normalized and celebrated as long as the hero “wins” the situation, has shaped narratives for years. However, in recent times, audiences have begun to unlearn this ingrained bias, recognizing it as something that needs to be critiqued rather than celebrated.  Aashiq Abu’s Rifle Club breaks away from this mold, igniting the fiery tension of a wild war in the Western Ghats. What sets this film apart is its portrayal of women— each female character is uniquely strong and layered, claiming her identity with confidence. From being mocked for being “just a woman” to owning the scene, characterisations of women in Malayalam cinema are beginning to emerge as unstoppable forces. Society often perpetuates the stereotype that women, being emotional, are inherently weaker or less stable in grave situations. Instead, the movie shows that ...