I Let Myself Sink Into You

I let myself sink into you,

Taking deep dips,

Not letting myself float.

You kept the rhythm of ocean

Calm and said the waves

To come another day.

I got lost in the tranquility of

your arms,

Seeking an abode for eternity,

Reaching out in bliss.

Maybe If I could live here forever,

I would dance at a different pace,

guided by the warmth of your heart.

I see no lines seperating us,

Shutting down the little fragments of overthinking,

I place you close to my bosom,

Never to let you go.

Making all the falsities disappear,

I'm riveted by the hold of your hands,

the sheer joy on your face

At the movement of my eyelashes,

Making me fall all over again.

You asked me if you could join in my agony,

If you could make me think of

Things of joy,

Checking my pulse and it's

dramas,

You dived deep into me,

Untangling the mysterious cords,

that encircled me.

Breaking the rules and tripping over

the cords,

You moved fearlessly and hopefully,

Creating a new space,

For the waves to move peacefully,

Guided by the light that you hold

Again I let myself sink into you.

A. C

Comments

Revising Utharam: The Weight of Forgotten Truths

I think more than ghost stories, most people are afraid of the unknown. The unknown when transforms into a more fearful truth can devastate a person’s entire existence. V.K Pavithran’s 1989 movie Utharam is based on Daphne Du Maurier’s short story “No Motive”. It follows Balu’s quest to uncover the truth behind the mysterious and unexpected suicide of Leena, his best friend Mathew’s wife and someone he considers family. Balu’s investigative skills as a journalist lead him to some strange and unexpected revelations about Leena’s past. He discovers that Leena had a completely different personality and a shocking, forgotten history. Despite being a generous person and loving wife of Mathew, Leena lived a seemingly perfect life, content and unaware of her repressed memories. Her life as a poet and a loving partner to Mathew appeared nothing short of perfection. Yet one fine day she decided to take her life in the spur of the moment. Unlike most mystery movies ...

Laapataa Ladies aka Ladies Lost in Patriarchy

Kiran Rao’s “Laapataa Ladies” is a social satire that offers entertainment as well as empowerment. The movie humorously portrays the grave realities of a patriarchal society with the help of a simple story and background. As the name and the trailer suggested, it revolves around two newly married brides who get lost on the way to their in-laws’ home. While Jaya, whom Deepak accidentally brings home instead of his wife Phool, seizes this opportunity to follow her dream, Phool undergoes profound personal growth during the time. This period shows multiple women discovering themselves. Some learn to do things that they love for themselves while others learn to explore and embrace their talents. Even though Jaya and Phool are two contradictory characters, they are both equally victims of patriarchal conditioning. While Jaya is ready to break and act against all the norms of society from the very beginning by uttering the name of her husband to everyone’s disbelief, Phool learns to do t...

The Women of Rifle Club

Over the decades, Malayalam cinema has often used female characters to uphold male protagonists, reinforcing the power dynamics in favor of men. This pattern, normalized and celebrated as long as the hero “wins” the situation, has shaped narratives for years. However, in recent times, audiences have begun to unlearn this ingrained bias, recognizing it as something that needs to be critiqued rather than celebrated. Aashiq Abu’s Rifle Club breaks away from this mold, igniting the fiery tension of a wild war in the Western Ghats. What sets this film apart is its portrayal of women— each female character is uniquely strong and layered, claiming her identity with confidence. From being mocked for being “just a woman” to owning the scene, characterisations of women in Malayalam cinema are beginning to emerge as unstoppable forces. Society often perpetuates the stereotype that women, being emotional, are inherently weaker or less stable in grave situations. Instead, the movie shows that ...

THE FORGOTTEN STORIES

Search This Blog