Skip to main content

Icarus

 


Far above the oceans, 

Icarus witnessed the beauty of life, 

The vast lands beckon him. 

He turned to get one last glimpse of 

Cnossus, 

The island that displays the prowess

Of his father, 

Whose instructions clouded Icarus 

Every second of his life. 

The labyrinth and its strangeness, 

Something that he was always trying to escape, 

Icarus felt his father's maze all around him, 

winding around his adolescence, 

like a poisonous snake. 

But the wings and its independence, 

gave him choice, 

He wished to touch the sky, 

breaking the paths of clouds, 

He thought of singing a farewell song

to Cnossus, 

while desiring to touch the sun. 

Daedalus's eyes send warning signals to his adolescent son, 

while the fool enjoys his newfound freedom. 

Icarus believed his father's talents, 

not fragile to kill his son, 

His heart desired 

for a miracle, 

For a moment where all his

Prayers may come true. 

Diving and soaring, 

Soaring and diving, 

Icarus moved to breach the warnings of his

Father's eyes. 

Tender feathers kiss each other

in ecstasy while, 

Icarus locked his eyes up beyond 

the burning sun, 

Soared a little, 

For a closer look to satisfy his adolescent eagerness. 

It was followed by the sudden shake, 

And the gradual falling of

Icarus whose clothes fluttered 

in the air, 

Wax melting, 

He heard Daedalus screaming, 

But his eyes only saw the mighty

Sun laughing at his foolishness. 

As Icarus fell into the ocean, 

his adolescent eagerness was consumed

by the waters, 

Leaving a cluster of feathers as a shroud. 


A. C

Comments

Popular posts from this blog

Shuli’s Love

  Shuli washed her hair twice that day. One for her love to cleanse  all impurities of reality  and one for herself. She took a nap twice  that day. One for love that took  her melatonin, And another to forget. Shuli laughed twice that day. One on behalf of her tainted  Love, And another on her botched brain  cells. She cried a quarter that day. Half a quarter filled with anger, and the other half with shame. She danced twice that day, One for lost time on love, And another for her love for dance. Shuli wrote twice that day, One for her heart and  Other for her brain. She gave two hugs that day, One for her wet pillow And another for herself. Shuli played hostess twice  that day, One for her pain and  the last for her sanity.

The Women of Rifle Club

Over the decades, Malayalam cinema has often used female characters to uphold male protagonists, reinforcing the power dynamics in favor of men. This pattern, normalized and celebrated as long as the hero “wins” the situation, has shaped narratives for years. However, in recent times, audiences have begun to unlearn this ingrained bias, recognizing it as something that needs to be critiqued rather than celebrated.  Aashiq Abu’s Rifle Club breaks away from this mold, igniting the fiery tension of a wild war in the Western Ghats. What sets this film apart is its portrayal of women— each female character is uniquely strong and layered, claiming her identity with confidence. From being mocked for being “just a woman” to owning the scene, characterisations of women in Malayalam cinema are beginning to emerge as unstoppable forces. Society often perpetuates the stereotype that women, being emotional, are inherently weaker or less stable in grave situations. Instead, the movie shows that ...

Laapataa Ladies aka Ladies Lost in Patriarchy

Kiran Rao’s “Laapataa Ladies” is a social satire that offers entertainment as well as empowerment. The movie humorously portrays the grave realities of a patriarchal society with the help of a simple story and background. As the name and the trailer suggested, it revolves around two newly married brides who get lost on the way to their in-laws’ home. While Jaya, whom Deepak accidentally brings home instead of his wife Phool, seizes this opportunity to follow her dream, Phool undergoes profound personal growth during the time. This period shows multiple women discovering themselves. Some learn to do things that they love for themselves while others learn to explore and embrace their talents.  Even though Jaya and Phool are two contradictory characters, they are both equally victims of patriarchal conditioning. While Jaya is ready to break and act against all the norms of society from the very beginning by uttering the name of her husband to everyone’s disbelief, Phool learns to do t...