Skip to main content

Child is the Father of the Man


Childhood is a phase where we feel everything deeply. Every traumatic, as well as happy incidents, get imprinted in us during this stage that the memories of those determine our further life. Rajesh Pillai's Mili is such a character who was deeply affected by her mother's illness & her death. Mili is a representative of many children whose childhood gets lost in the struggle to cope with the indigestive-syllabuses & who are forced to believe that a failure in it would determine what they are. The slow and beautiful transformation of Mili from an introverted, depressed girl to an independent inspiring person is touching. With the help of a handful number of right people who are ready to go extra miles for her, Mili steps out of her comfort zone by breaking her shell of insecurities which is as old as her. Mili makes sure that the children that she teaches are not judged by their inabilities or marks like she was but their small skills that no one actually notices. She also ensures that those children have somebody to back them up when they feel dejected & hold their hands to say 'it's okay'. It was a lack of this assurance to Mili when she lost marks or when she became bad at studies during the school days that made her crawl into the fort of insecurities that she built around her. Mili always longed for a little affection and attention which was denied to her right from her childhood since her mother's illness. Whenever something goes wrong she thinks of her mother and how she was left alone in the world of competitions without teaching her how to overcome the obstacles. Her label of 'professor's daughter' always struggled her psyche because that was considered as a yardstick by many to judge her. Mili's transformation was made possible by some right people who offered her a shoulder & who was ready to listen to her. Finally, when she comes out as the kindergarten teacher who does not want the children to learn inside a suffocating four-walled room, we understand that 'we don't have to be best at everything but we can be best at something'.And this is what parents have to teach their children because 'child is the father of the man'.

A.C


Comments

Popular posts from this blog

Love in the age of checklists: A critical review of Materialists

  Celine Song ’s  Materialists  (2025) is a modern-day romantic comedy produced by  A24 , starring  Dakota Johnson ,  Chris Evans and  Pedro Pascal . Released in cinemas in June 2025, the film became one of the year’s highly anticipated movies after its glossy trailer premiere with  Phlottila’s cover  of  Madonna’s  Material Girl  as a backdrop, with the hope of experiencing a conflicting love triangle. But underneath its glittering surface lies a deeper, sobering reflection on romance, quid pro quo relationships, and the loneliness offered by contemporary urban life. Similar to her feature debut,  Past Lives ,  Song investigates how individual desire confronts societal norms, but this time through the workings of modern matchmaking. Dakota Johnson in  Materialists . Image: IMDb  The narrative revolves around Lucy (Dakota Johnson), a high-end professional matchmaker who sees marriage as a business deal betwe...

SHE

She was a girl of little importance.. She was not a damsel or a princess. But there was fire in her eyes. The fire of determination. Fire of dreams to be fullfilled. She never saw it ,but others did. But others never understood it ,but she did. She always dreamt of her future prince. Her shining eyes and glossy lips always waited for the arrival of her prince. One day. She met her prince,the charming one who came on white horse, she believed destiny made them meet, And she prayed let the same destiny unite them!! Days passed. Everyday she saw him. But she was afraid to come out of her shell. Another day. As she walked, he came. He walked towards her. she paused. As he reached closer her heart wrenched from its seat. And now there is no distance  between them. He smiled and reached for her lips. she closed her eyes. They kissed. It was deep. He looked at her. She tried to be normal.. But there was nothing normal around her...

Laapataa Ladies aka Ladies Lost in Patriarchy

Kiran Rao’s “Laapataa Ladies” is a social satire that offers entertainment as well as empowerment. The movie humorously portrays the grave realities of a patriarchal society with the help of a simple story and background. As the name and the trailer suggested, it revolves around two newly married brides who get lost on the way to their in-laws’ home. While Jaya, whom Deepak accidentally brings home instead of his wife Phool, seizes this opportunity to follow her dream, Phool undergoes profound personal growth during the time. This period shows multiple women discovering themselves. Some learn to do things that they love for themselves while others learn to explore and embrace their talents.  Even though Jaya and Phool are two contradictory characters, they are both equally victims of patriarchal conditioning. While Jaya is ready to break and act against all the norms of society from the very beginning by uttering the name of her husband to everyone’s disbelief, Phool learns to do t...