Skip to main content

Child is the Father of the Man


Childhood is a phase where we feel everything deeply. Every traumatic, as well as happy incidents, get imprinted in us during this stage that the memories of those determine our further life. Rajesh Pillai's Mili is such a character who was deeply affected by her mother's illness & her death. Mili is a representative of many children whose childhood gets lost in the struggle to cope with the indigestive-syllabuses & who are forced to believe that a failure in it would determine what they are. The slow and beautiful transformation of Mili from an introverted, depressed girl to an independent inspiring person is touching. With the help of a handful number of right people who are ready to go extra miles for her, Mili steps out of her comfort zone by breaking her shell of insecurities which is as old as her. Mili makes sure that the children that she teaches are not judged by their inabilities or marks like she was but their small skills that no one actually notices. She also ensures that those children have somebody to back them up when they feel dejected & hold their hands to say 'it's okay'. It was a lack of this assurance to Mili when she lost marks or when she became bad at studies during the school days that made her crawl into the fort of insecurities that she built around her. Mili always longed for a little affection and attention which was denied to her right from her childhood since her mother's illness. Whenever something goes wrong she thinks of her mother and how she was left alone in the world of competitions without teaching her how to overcome the obstacles. Her label of 'professor's daughter' always struggled her psyche because that was considered as a yardstick by many to judge her. Mili's transformation was made possible by some right people who offered her a shoulder & who was ready to listen to her. Finally, when she comes out as the kindergarten teacher who does not want the children to learn inside a suffocating four-walled room, we understand that 'we don't have to be best at everything but we can be best at something'.And this is what parents have to teach their children because 'child is the father of the man'.

A.C


Comments

Popular posts from this blog

The Lost Daughter - An Ode to Motherhood and Flawed Mothers

 Mothers are always praised and glorified for the sacrifices that they make and are called supermoms, if they find a balance with their family and work life. Movies have always portrayed mothers as either sacrificial or supermoms. But do all the mothers choose the same road?  Maggie Gyllenhaal's 'The Lost Daughter' speaks for all the flawed unnatural mothers. People who become mothers at an early age, who feel traumatized by the whole new version of themselves, who live in fear of losing their original identity in the run for creating one for their children, who make choices selfishly regardless of their children's needs. Leda in the movie, in fear of losing her individuality in the love for her children, takes a decision to focus on her career. She finds it as an amazing experience and embraces everything that she desired, peeling off the perfect mother image that she is supposed to keep.  When women are considered to have innate motherness in them, people don't re...

All I Want for Us is to Feel Again

  We were young girls Who used to play at the beach,  Hugging, we watched the sun drowning.  We danced till the candyman went home,  Our skirts swayed with the wind,  Cajoling us to stay a bit longer.  We never thought this picture would fade away.  I know this would never come back,  But I want to feel again.  I want to go back where my heart is.  All I want is to be free and feel again.  The colours and smell still linger with me,  I miss the happiness I felt,  The aches that watered me.  My skin misses the way it felt,  My hair misses the gentle kiss of the beach wind The bookstores and beach waters wait for us,  They send a thousand silent sirens to us,  When will we feel it again?  The recklessness of age,  the courage of freedom,  the music in our brains,  And the limbs that never stopped.  The yellow city lights Gladly kissing the fine roads,  absorbed our shadows,...

The Women of Rifle Club

Over the decades, Malayalam cinema has often used female characters to uphold male protagonists, reinforcing the power dynamics in favor of men. This pattern, normalized and celebrated as long as the hero “wins” the situation, has shaped narratives for years. However, in recent times, audiences have begun to unlearn this ingrained bias, recognizing it as something that needs to be critiqued rather than celebrated.  Aashiq Abu’s Rifle Club breaks away from this mold, igniting the fiery tension of a wild war in the Western Ghats. What sets this film apart is its portrayal of women— each female character is uniquely strong and layered, claiming her identity with confidence. From being mocked for being “just a woman” to owning the scene, characterisations of women in Malayalam cinema are beginning to emerge as unstoppable forces. Society often perpetuates the stereotype that women, being emotional, are inherently weaker or less stable in grave situations. Instead, the movie shows that ...