Skip to main content

The Afterlives of Devis




     The 13 minutes short movie Devi by Priyanka Banerjee screams out the disturbing and terrific facts on sexual violence and abuse towards women in India.Every 22 minutes, a woman is raped in our country,which is a fact that is often repeated. But it has to be, because the situation hasn't changed a bit.Ironically,on the one hand, we have multiple Devis that we worship at the clear daylight, and in the intensity of darkness, they are abused and brutally raped and are left with no choice.The movie displays the victims of rape and physical abuse gathered together after their death and disputes over the entry of the newcomer to the room which is already populated.In their afterlife, they don't believe in God, the 'Devis' are no longer worshiped, but sympathised and victimised. Regardless of caste, creed, profession,family,religion and age women are being raped in our country and marital rape is also not any different.But what stroked me is that during the entire movie,they haven't uttered the word, 'death'.It has become their reality and the world of humans has become the world of demons.Some are burnt alive,some are killed with knife,rods and stones,others strangled and some die out of the trauma after the incident.And this trauma is not any different from the pain that the others underwent.Even wearing a Burkha or being old or mute doesn't give you an excuse from not being raped and killed.When the new girl arrived, I was in tears and the characters were numb since she was too small to be there in her afterlife.This movie brilliantly tells the gripping social reality and voices the helplessness of women who are not safe even at their own homes through the metaphorical representation of afterlife.And while I finish writing this, another Devi is getting raped somewhere in India.
#devishortfilm

A.C

Comments

Popular posts from this blog

Twenty-Five

They say twenty-five matters,  25 is the age where you are asked to be responsible,  You are supposed to bring home food,  It's an age where your uterus has to be fukcing good,  It is an age where you have to be fair And good as a nymph,  It is when your wallet should have a five-figure sum.  They say at twenty-five,  You will be twenty-five times purer than ever,  To breed and nurture,  No dear not your dreams, but your children's.  But that's not it.  I SAY THAT IS NOT IT.  It is an age where you realize,  You no longer have the desire to live the monotonous life,  You no longer feel alive at a celebration,  You find yourself as the perfect company,  You don't care if you die today or tomorrow,  You want to puke at people who restrict you from doing things.  You no longer want to be surrounded by people,  And your skills are your only saviours.  At 25, you no longer care if people love ...

Revising Utharam: The Weight of Forgotten Truths

I think more than ghost stories, most people are afraid of the unknown. The  unknown when transforms into a more fearful truth can devastate a person’s entire existence. V.K Pavithran’s  1989 movie Utharam is based on Daphne Du Maurier’s short story “No Motive”. It follows Balu’s quest to uncover the truth behind the mysterious and unexpected suicide of Leena, his best friend Mathew’s wife and someone he considers family.  Balu’s investigative skills as a journalist lead him to some strange and unexpected revelations about Leena’s past. He discovers that Leena had a completely different personality and a  shocking, forgotten history. Despite being a generous person and loving wife of Mathew, Leena lived a seemingly perfect life, content and unaware of her repressed memories. Her life as a poet and a loving partner to Mathew appeared nothing short of perfection. Yet one fine day she decided to take her life in the spur of the moment.  Unlike most mystery movies ...

The Women of Rifle Club

Over the decades, Malayalam cinema has often used female characters to uphold male protagonists, reinforcing the power dynamics in favor of men. This pattern, normalized and celebrated as long as the hero “wins” the situation, has shaped narratives for years. However, in recent times, audiences have begun to unlearn this ingrained bias, recognizing it as something that needs to be critiqued rather than celebrated.  Aashiq Abu’s Rifle Club breaks away from this mold, igniting the fiery tension of a wild war in the Western Ghats. What sets this film apart is its portrayal of women— each female character is uniquely strong and layered, claiming her identity with confidence. From being mocked for being “just a woman” to owning the scene, characterisations of women in Malayalam cinema are beginning to emerge as unstoppable forces. Society often perpetuates the stereotype that women, being emotional, are inherently weaker or less stable in grave situations. Instead, the movie shows that ...