Skip to main content

Togetherness


When I met him,
Two wine glasses whispered,
The owls shrieked
And the Oak tree,
With all its strength
Resisted and said,
"You are not meant to be
Together".
But I didn't care to
Ask why,
I didn't care to seek
Options,
'Cause there was electricity
Flowing through our bodies,
The electricity that
Could light up the
Entire rooms of hell.
When we danced together,
The ballroom protested to
Light up,
My heels denied to tap,
My eyes denied to connect
My frock refused to swirl
Saying,
"You are not meant to be
Together".
But I didn't care to ask
I didn't want clarification,
Because our steps were
Synchronized,
Our hands were cold,
And we were two dead souls
In love.
When we were kissing,
My cells declined to act,
All the electrons and protons
And neutrons acted weird,
A Ferris wheel dismissed
To rotate,
Saying,
"You are not meant to be
Together"
But I didn't ask how
Or searched reasons,
Because our lips were
Too close,
And we were the only ones
Under the sky.
Days after days,
When togetherness meant
Nothing,
When the electricity and
Synchronization and closeness
Turned down,
I stood alone at the stage,
To sing my song
And the room was full
Even though my voice
Was quivering,
The audience was smiling,
I broke down,
But they were cheering
Because I was alone and
Not together
Anymore.

A.C

Comments

Post a Comment

Popular posts from this blog

Twenty-Five

They say twenty-five matters,  25 is the age where you are asked to be responsible,  You are supposed to bring home food,  It's an age where your uterus has to be fukcing good,  It is an age where you have to be fair And good as a nymph,  It is when your wallet should have a five-figure sum.  They say at twenty-five,  You will be twenty-five times purer than ever,  To breed and nurture,  No dear not your dreams, but your children's.  But that's not it.  I SAY THAT IS NOT IT.  It is an age where you realize,  You no longer have the desire to live the monotonous life,  You no longer feel alive at a celebration,  You find yourself as the perfect company,  You don't care if you die today or tomorrow,  You want to puke at people who restrict you from doing things.  You no longer want to be surrounded by people,  And your skills are your only saviours.  At 25, you no longer care if people love ...
2 comments
Read more

Revising Utharam: The Weight of Forgotten Truths

I think more than ghost stories, most people are afraid of the unknown. The  unknown when transforms into a more fearful truth can devastate a person’s entire existence. V.K Pavithran’s  1989 movie Utharam is based on Daphne Du Maurier’s short story “No Motive”. It follows Balu’s quest to uncover the truth behind the mysterious and unexpected suicide of Leena, his best friend Mathew’s wife and someone he considers family.  Balu’s investigative skills as a journalist lead him to some strange and unexpected revelations about Leena’s past. He discovers that Leena had a completely different personality and a  shocking, forgotten history. Despite being a generous person and loving wife of Mathew, Leena lived a seemingly perfect life, content and unaware of her repressed memories. Her life as a poet and a loving partner to Mathew appeared nothing short of perfection. Yet one fine day she decided to take her life in the spur of the moment.  Unlike most mystery movies ...
Post a Comment
Read more

The Women of Rifle Club

Over the decades, Malayalam cinema has often used female characters to uphold male protagonists, reinforcing the power dynamics in favor of men. This pattern, normalized and celebrated as long as the hero “wins” the situation, has shaped narratives for years. However, in recent times, audiences have begun to unlearn this ingrained bias, recognizing it as something that needs to be critiqued rather than celebrated.  Aashiq Abu’s Rifle Club breaks away from this mold, igniting the fiery tension of a wild war in the Western Ghats. What sets this film apart is its portrayal of women— each female character is uniquely strong and layered, claiming her identity with confidence. From being mocked for being “just a woman” to owning the scene, characterisations of women in Malayalam cinema are beginning to emerge as unstoppable forces. Society often perpetuates the stereotype that women, being emotional, are inherently weaker or less stable in grave situations. Instead, the movie shows that ...
Post a Comment
Read more