Skip to main content

The Batman Trilogy : A Tribute to the Unsung Heroes


It's time to sing a song for the unsung heroes.The batman trilogy of Nolan has a lot more to say than just saving Gotham because in a way it's a tribute to all nameless heroes.Yes,and what I see in the movie is not Batman but Bruce Wayne, the unsung hero of Gotham. Wayne's extraordinary journey started with an intention to save Gotham from the corrupted and criminals, a dream that his father could not accomplish.Even though Wayne became an orphan, there were people who really cared for him. And that's why he chose to fight the evil with a mask,not to hurt his dear ones.Butler Alfred, Commissioner Gordon, Fox and Rachel were the major people who always cared for Wayne. And in the third part there was Blake too. But Wayne never wanted his identity revealed, which made him the real hero. By terming himself as an eccentric billionaire, Wayne hid his truth before Gotham.At the end of trilogy,no one is aware that the billionaire who burnt his house and who acted weird at parties and brought down the Wayne enterprises legacy was actually a hero who fought his own fear, who loved his city selflessly,who cared for his dear ones and a Phoenix who rose every time from the ashes when the city and its people failed him.Except the five people and the villains, no one acknowledges the true Wayne.And Wayne is a representative of all unsung heroes out there who fights and fails and rises without expecting anything. And in this current scenario, we see a lot of Waynes working,not to harm their dear ones,for the people who suffer by putting their lives at stake.They continue their legacy through many others like Blake by being an inspiration.They turn out as the powerful symbol that strengthens and assures people to fight just like the spirit of Gotham was awakened when they saw batman's return.So the heroes among us need to be acknowledged at least once.Their songs should never decay in the grave,unsung.

Comments

Popular posts from this blog

Twenty-Five

They say twenty-five matters,  25 is the age where you are asked to be responsible,  You are supposed to bring home food,  It's an age where your uterus has to be fukcing good,  It is an age where you have to be fair And good as a nymph,  It is when your wallet should have a five-figure sum.  They say at twenty-five,  You will be twenty-five times purer than ever,  To breed and nurture,  No dear not your dreams, but your children's.  But that's not it.  I SAY THAT IS NOT IT.  It is an age where you realize,  You no longer have the desire to live the monotonous life,  You no longer feel alive at a celebration,  You find yourself as the perfect company,  You don't care if you die today or tomorrow,  You want to puke at people who restrict you from doing things.  You no longer want to be surrounded by people,  And your skills are your only saviours.  At 25, you no longer care if people love ...

Revising Utharam: The Weight of Forgotten Truths

I think more than ghost stories, most people are afraid of the unknown. The  unknown when transforms into a more fearful truth can devastate a person’s entire existence. V.K Pavithran’s  1989 movie Utharam is based on Daphne Du Maurier’s short story “No Motive”. It follows Balu’s quest to uncover the truth behind the mysterious and unexpected suicide of Leena, his best friend Mathew’s wife and someone he considers family.  Balu’s investigative skills as a journalist lead him to some strange and unexpected revelations about Leena’s past. He discovers that Leena had a completely different personality and a  shocking, forgotten history. Despite being a generous person and loving wife of Mathew, Leena lived a seemingly perfect life, content and unaware of her repressed memories. Her life as a poet and a loving partner to Mathew appeared nothing short of perfection. Yet one fine day she decided to take her life in the spur of the moment.  Unlike most mystery movies ...

The Women of Rifle Club

Over the decades, Malayalam cinema has often used female characters to uphold male protagonists, reinforcing the power dynamics in favor of men. This pattern, normalized and celebrated as long as the hero “wins” the situation, has shaped narratives for years. However, in recent times, audiences have begun to unlearn this ingrained bias, recognizing it as something that needs to be critiqued rather than celebrated.  Aashiq Abu’s Rifle Club breaks away from this mold, igniting the fiery tension of a wild war in the Western Ghats. What sets this film apart is its portrayal of women— each female character is uniquely strong and layered, claiming her identity with confidence. From being mocked for being “just a woman” to owning the scene, characterisations of women in Malayalam cinema are beginning to emerge as unstoppable forces. Society often perpetuates the stereotype that women, being emotional, are inherently weaker or less stable in grave situations. Instead, the movie shows that ...