Skip to main content

Peranbu : A Poetic Experience


What do you actually name the feeling that lasts in you even after several months of experiencing something.Well, I would prefer to name it as a poetic experience. That's what I still feel even after several months of watching the movie Peranbu. The movie starring- okay, i would like to call it as a movie starring Amudavan and Paapa than Mammootty and Sadana, since all throughout the movie i could only see Amudavan and Paapa in this poetic experience. Peranbu, as the name suggests compassion is that holds all beings together. This poetic film creates an ache that will remain forever.

Amudavan seemed to be afraid of everything unusual. He ran away from imperfect things. And certainly fromPaapa. Paapa is not a perfect child but she was special. Paapa was nature's child.As the 147 minutes film ends,the hateful nature turns out to be compassionate for Amudavan. Eventually Amudavan accepts the beauty of nature as well as its differences.

Amudavan seeks shelter in nature whenever he feels helpless or when the whole world turns against him.Firstly when his own family rejects him and points out the consequences of bringing up Paapa with other normal children, Amudavan moves out to nature's lap into much isolated beautiful place for the sake of Paapa."...A place where humans never intrude and sparrows never die".Nature helps Amudavan in the form of sparrows and horse to be close to Paapa and understand her.

But a sexually matured Paapa becomes hard to handle for Amudavan. And that's when the nature turns miraculous and mysterious for him. With Vijayalakshmi he starts to live another life.But very soon everything collapses and the nature teaches him that the anger,regret, irritation,complains, revenge,and all such emotions within him is so meaningless.

The mind becomes dead, the earth deafens, and Paapa feels herself blind when Amudavan is compelled to leave her in a spastic children's home.Finally when Amudavan realises that he cannot do anything to fulfil his daughter's needs he decides to embrace the vast endless sea with his daughter.But then he discovers compassion with nature through Meera.

The helpless Amudavan and Paapa will always remain a visual pain to us when we realise that nature is hateful.But when we accept and embrace the differences in nature it turns out to be compassionate and our life seems to be the beautiful lines in the poem called nature like Amudavan, Paapa and Meera.

Comments

Popular posts from this blog

Shuli’s Love

  Shuli washed her hair twice that day. One for her love to cleanse  all impurities of reality  and one for herself. She took a nap twice  that day. One for love that took  her melatonin, And another to forget. Shuli laughed twice that day. One on behalf of her tainted  Love, And another on her botched brain  cells. She cried a quarter that day. Half a quarter filled with anger, and the other half with shame. She danced twice that day, One for lost time on love, And another for her love for dance. Shuli wrote twice that day, One for her heart and  Other for her brain. She gave two hugs that day, One for her wet pillow And another for herself. Shuli played hostess twice  that day, One for her pain and  the last for her sanity.

The Women of Rifle Club

Over the decades, Malayalam cinema has often used female characters to uphold male protagonists, reinforcing the power dynamics in favor of men. This pattern, normalized and celebrated as long as the hero “wins” the situation, has shaped narratives for years. However, in recent times, audiences have begun to unlearn this ingrained bias, recognizing it as something that needs to be critiqued rather than celebrated.  Aashiq Abu’s Rifle Club breaks away from this mold, igniting the fiery tension of a wild war in the Western Ghats. What sets this film apart is its portrayal of women— each female character is uniquely strong and layered, claiming her identity with confidence. From being mocked for being “just a woman” to owning the scene, characterisations of women in Malayalam cinema are beginning to emerge as unstoppable forces. Society often perpetuates the stereotype that women, being emotional, are inherently weaker or less stable in grave situations. Instead, the movie shows that ...

Laapataa Ladies aka Ladies Lost in Patriarchy

Kiran Rao’s “Laapataa Ladies” is a social satire that offers entertainment as well as empowerment. The movie humorously portrays the grave realities of a patriarchal society with the help of a simple story and background. As the name and the trailer suggested, it revolves around two newly married brides who get lost on the way to their in-laws’ home. While Jaya, whom Deepak accidentally brings home instead of his wife Phool, seizes this opportunity to follow her dream, Phool undergoes profound personal growth during the time. This period shows multiple women discovering themselves. Some learn to do things that they love for themselves while others learn to explore and embrace their talents.  Even though Jaya and Phool are two contradictory characters, they are both equally victims of patriarchal conditioning. While Jaya is ready to break and act against all the norms of society from the very beginning by uttering the name of her husband to everyone’s disbelief, Phool learns to do t...