Skip to main content

One Platonic Lover


He doesn't know the nights i cried for him.
He doesn't know the thoughts i had for him.
He doesn't know the things I want to tell him.
He doesn't know the pain of my heart every night I burst into tears.
He doesn't know the happiness i wanted to share with him.
He doesn't know the places I want to go with him.
He doesn't know that everything will be fine.
He doesn't realise I'm there for him, no matter what.
He doesn't know the prayers i offered in his name.
He doesn't know the times I complicated my mind for him.
He doesn't know the songs i want him to listen to.
He doesn't know the poems i want him to read.
He doesn't know the years I waited.
He doesn't know the times I was present with him, in my absence.
He doesn't see the scars I bore for him.
He doesn't see the fights I fought for him.
And when the sun hits the ocean,
The tears that flowed was enough and more for a pond.
And finally as the unsaid words remain unsaid,
illusions and intuitions
remain just as
illusions and intuitions.
My love remains unsung with the rusting piano,
Like the never cleaned polluted river.
This platonic lover and her divided soul,
Torn apart at the waltz dance and love songs.
You say it's normal if love hurts,then what it is if it can only hurt you?

A.C

Comments

Popular posts from this blog

Twenty-Five

They say twenty-five matters,  25 is the age where you are asked to be responsible,  You are supposed to bring home food,  It's an age where your uterus has to be fukcing good,  It is an age where you have to be fair And good as a nymph,  It is when your wallet should have a five-figure sum.  They say at twenty-five,  You will be twenty-five times purer than ever,  To breed and nurture,  No dear not your dreams, but your children's.  But that's not it.  I SAY THAT IS NOT IT.  It is an age where you realize,  You no longer have the desire to live the monotonous life,  You no longer feel alive at a celebration,  You find yourself as the perfect company,  You don't care if you die today or tomorrow,  You want to puke at people who restrict you from doing things.  You no longer want to be surrounded by people,  And your skills are your only saviours.  At 25, you no longer care if people love ...

Revising Utharam: The Weight of Forgotten Truths

I think more than ghost stories, most people are afraid of the unknown. The  unknown when transforms into a more fearful truth can devastate a person’s entire existence. V.K Pavithran’s  1989 movie Utharam is based on Daphne Du Maurier’s short story “No Motive”. It follows Balu’s quest to uncover the truth behind the mysterious and unexpected suicide of Leena, his best friend Mathew’s wife and someone he considers family.  Balu’s investigative skills as a journalist lead him to some strange and unexpected revelations about Leena’s past. He discovers that Leena had a completely different personality and a  shocking, forgotten history. Despite being a generous person and loving wife of Mathew, Leena lived a seemingly perfect life, content and unaware of her repressed memories. Her life as a poet and a loving partner to Mathew appeared nothing short of perfection. Yet one fine day she decided to take her life in the spur of the moment.  Unlike most mystery movies ...

The Women of Rifle Club

Over the decades, Malayalam cinema has often used female characters to uphold male protagonists, reinforcing the power dynamics in favor of men. This pattern, normalized and celebrated as long as the hero “wins” the situation, has shaped narratives for years. However, in recent times, audiences have begun to unlearn this ingrained bias, recognizing it as something that needs to be critiqued rather than celebrated.  Aashiq Abu’s Rifle Club breaks away from this mold, igniting the fiery tension of a wild war in the Western Ghats. What sets this film apart is its portrayal of women— each female character is uniquely strong and layered, claiming her identity with confidence. From being mocked for being “just a woman” to owning the scene, characterisations of women in Malayalam cinema are beginning to emerge as unstoppable forces. Society often perpetuates the stereotype that women, being emotional, are inherently weaker or less stable in grave situations. Instead, the movie shows that ...