To The High Priest Of Literature...

Dear Nagesh Sir,

You are a legend who taught me to fight to bring honor to our family even by rejecting man's law like Antigone, who taught me that like Lysistrata, the very effort of women can put an end to great wars, to face the existential crisis with Berenger, to forsee how I will be remembered after my death through Elegy, to visit the Renaissance Italy with Andrea del sarto and Fra Lippo Lippi, to be in gay and keep moving on with Gunn's motorcyclists and to ride the waves with the surfers. Sir, you are the one who took me to the very beginning of the evolution of the language of cinema with Bazin ,who helped me to know the third cinema , to experience a chill down my spine with Marion Crane, to go in search of the stolen bicycle with Antonio Ricci and Bruno to prevent poverty in the family. The Sage who taught us to look into the thoughts of others with Saleem Sinai, to be compassionate to the 'other' with Gustad, to break the silence with Marikatani's mother, to be that innocent girl of Okita who doesn't know the impending horror, to see and know the Invisible people around me with Ellison and to suffer with John.
I wish you could have taught us to lament over the modern world with Eliot, to go into the darkness of the heart with Conrad, to know the metaphysical poets, to learn Irony and Archetypes of Literature, to understand the impacts of modern horrors with Auden and Lowell and to be in conflict with nature and civilization with Morrison's creations.
But time changes, season changes and you can't be always the same you. As Mehmet Murat ildan rightly said, "When you are leaving someone, leave like the sun leaves the earth with a magnificent elegance!" and I believe this is how you leave Devagiri.
Love you Sir and will definitely miss you.I wish you a happy and healthy retirement life.

With lots of love , prayers and reverence,
A Student who was wonderstruck by your classes.

Comments

Laapataa Ladies aka Ladies Lost in Patriarchy

Kiran Rao’s “Laapataa Ladies” is a social satire that offers entertainment as well as empowerment. The movie humorously portrays the grave realities of a patriarchal society with the help of a simple story and background. As the name and the trailer suggested, it revolves around two newly married brides who get lost on the way to their in-laws’ home. While Jaya, whom Deepak accidentally brings home instead of his wife Phool, seizes this opportunity to follow her dream, Phool undergoes profound personal growth during the time. This period shows multiple women discovering themselves. Some learn to do things that they love for themselves while others learn to explore and embrace their talents. Even though Jaya and Phool are two contradictory characters, they are both equally victims of patriarchal conditioning. While Jaya is ready to break and act against all the norms of society from the very beginning by uttering the name of her husband to everyone’s disbelief, Phool learns to do t...

Twenty-Five

They say twenty-five matters, 25 is the age where you are asked to be responsible, You are supposed to bring home food, It's an age where your uterus has to be fukcing good, It is an age where you have to be fair And good as a nymph, It is when your wallet should have a five-figure sum. They say at twenty-five, You will be twenty-five times purer than ever, To breed and nurture, No dear not your dreams, but your children's. But that's not it. I SAY THAT IS NOT IT. It is an age where you realize, You no longer have the desire to live the monotonous life, You no longer feel alive at a celebration, You find yourself as the perfect company, You don't care if you die today or tomorrow, You want to puke at people who restrict you from doing things. You no longer want to be surrounded by people, And your skills are your only saviours. At 25, you no longer care if people love ...

The Lost Daughter - An Ode to Motherhood and Flawed Mothers

Mothers are always praised and glorified for the sacrifices that they make and are called supermoms, if they find a balance with their family and work life. Movies have always portrayed mothers as either sacrificial or supermoms. But do all the mothers choose the same road? Maggie Gyllenhaal's 'The Lost Daughter' speaks for all the flawed unnatural mothers. People who become mothers at an early age, who feel traumatized by the whole new version of themselves, who live in fear of losing their original identity in the run for creating one for their children, who make choices selfishly regardless of their children's needs. Leda in the movie, in fear of losing her individuality in the love for her children, takes a decision to focus on her career. She finds it as an amazing experience and embraces everything that she desired, peeling off the perfect mother image that she is supposed to keep. When women are considered to have innate motherness in them, people don't re...

THE FORGOTTEN STORIES

Search This Blog