From The Hospital Bed...

She was unable to sleep last night. In the morning when she opened her eyes , she could only see the pale ceilings of the hospital room. A stinging smell always filled the room. Lying on the bed she recollected everything. And somewhere in the film, flashed his face . He..He was her world.. Literally they created their own world. He promised her to help her fulfill her dreams and make her parents proud. But everything changed. She left the arms that held her.. Knowing the length of her life. He was relectant to do that...Instead assured her all the happiness.But she wanted him to be happy. And from that day she was alone.The only thing she knew now is that her days are counted. She don't know the number of days that she laid in the hospital bed. She completed her role and now she started bidding farewell to her co-actors..With unfulfilled dreams... Uncompleted vows... Broken relations... And a bag full of memories..Her eyes begin to fall asleep slowly..One by one..into the everlasting eternal sleep..With a warm smile that gave strength to her dear ones...

A.C

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Shuli’s Love

Shuli washed her hair twice that day. One for her love to cleanse all impurities of reality and one for herself. She took a nap twice that day. One for love that took her melatonin, And another to forget. Shuli laughed twice that day. One on behalf of her tainted Love, And another on her botched brain cells. She cried a quarter that day. Half a quarter filled with anger, and the other half with shame. She danced twice that day, One for lost time on love, And another for her love for dance. Shuli wrote twice that day, One for her heart and Other for her brain. She gave two hugs that day, One for her wet pillow And another for herself. Shuli played hostess twice that day, One for her pain and the last for her sanity.

The Women of Rifle Club

Over the decades, Malayalam cinema has often used female characters to uphold male protagonists, reinforcing the power dynamics in favor of men. This pattern, normalized and celebrated as long as the hero “wins” the situation, has shaped narratives for years. However, in recent times, audiences have begun to unlearn this ingrained bias, recognizing it as something that needs to be critiqued rather than celebrated. Aashiq Abu’s Rifle Club breaks away from this mold, igniting the fiery tension of a wild war in the Western Ghats. What sets this film apart is its portrayal of women— each female character is uniquely strong and layered, claiming her identity with confidence. From being mocked for being “just a woman” to owning the scene, characterisations of women in Malayalam cinema are beginning to emerge as unstoppable forces. Society often perpetuates the stereotype that women, being emotional, are inherently weaker or less stable in grave situations. Instead, the movie shows that ...

Laapataa Ladies aka Ladies Lost in Patriarchy

Kiran Rao’s “Laapataa Ladies” is a social satire that offers entertainment as well as empowerment. The movie humorously portrays the grave realities of a patriarchal society with the help of a simple story and background. As the name and the trailer suggested, it revolves around two newly married brides who get lost on the way to their in-laws’ home. While Jaya, whom Deepak accidentally brings home instead of his wife Phool, seizes this opportunity to follow her dream, Phool undergoes profound personal growth during the time. This period shows multiple women discovering themselves. Some learn to do things that they love for themselves while others learn to explore and embrace their talents. Even though Jaya and Phool are two contradictory characters, they are both equally victims of patriarchal conditioning. While Jaya is ready to break and act against all the norms of society from the very beginning by uttering the name of her husband to everyone’s disbelief, Phool learns to do t...

THE FORGOTTEN STORIES

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